However, once you start to get familiar with synths, you’ll know how to make it do what you want it to do. The only thing about the presets though is that they’re so specific, if you don’t immediately want that exact sound, you’re going to have to do a little bit of editing to get it the way you want it to sound. There’s around 250 of them and they’re all pretty great. I scrolled through most of them and there are more than enough. This rounds out and thickens the flavor of the whole sound, which only adds to the famous Moog fatness. My favorite combo is the sine wave, a smooth round sound, and the sawtooth, the famous edgy synth sound. So, if you’d like to combine a saw and a square, you can totally do it. The Sub 37 allows you to run two oscillators at once, something only made possible in recent years. If you’re not familiar with oscillators, they basically manipulate the soundwaves that come out of your synth. Even though it’s only a 37 key synth, there’s still enough room to hit those bigger chords. As a synth and keyboard player, a good fifty percent of what I need requires chords, so it always feels good to have that option. For me, this is always useful when I want to play synth chords, and with a mono synth, you cannot play chords. So, I appreciate the value of a good monophonic synth, meaning you can only play one note at a time, and while this synth is excellent at that, I really appreciate the poly mode which turns the synth into a polyphonic synth, meaning you can play more than one note at a time. But, it’s literally a tenth of the price at around $150, so you get what you pay for.īelow, please quickly take a moment to view some of the best-selling synthesizers currently on sale online: If you get something cheaper like a Korg Volca synth, you’ll see it’s not quite as clean. The Moog passes this test of course, but I never really had any doubt about it. If it struggles with this, you know they could have designed it a little better. So, I know that if it sounds clean and precise, the filters are good. It achieves a sci-fi sounding sweep down different steps in the frequency range, and it sounds like you’re making music in space. Now, what I like to do, when I’m testing the filters, is turn up the cutoff and resonance all the way, leave the resonance up, and roll off the cutoff slowly. Turn it down and you’ve got a chimey, muted round sound that could put a baby to sleep. Turning the cutoff filter all the way up turned the saw waveform into a buzzing chainsaw. Your standard cutoff and resonance filters are extremely potent. It’s really easy to play.īetter yet are the filters. That might sound too poetic, but I think you’ll understand what I mean. So when you run a quick C scale across its 37 key keyboard, it’s like running your hand across the water, making little ripples. The keys, the frequencies-everything just sort of flows together. Now when I demoed the Moog Sub 37 in order to prepare for this review, one of the most striking characteristics is how it seems to glide. VCF, 2 LFOs, 2 envelopes, sync and cross modulation Gooseneck mic w/built-in Vocoder & AutoPitch I’ll be focusing on each of these synths features, their sound, their weight and portability, and their prices in order to help you when it’s time for you to get an analog synth when you’re ready to jump in.īefore we move forward, please take a moment to compare the Moog Sub 37 to other notable synthesizers that are currently on the market:Ĩ-Track Pattern Sequencer w/Non-Stop Recordingġ6-Step Polyphonic Step & Motion Sequencer I’d love to tell you about how the Moog Sub 37 is one of my favorite analog synths, what I love about it, what I feel like other synths do better, and how it compares to synths like the Dave Smith Pro 2, the Moog Voyager, the Minimoog Model D, and the Moog Sub Phatty (which is exactly what we’re going to do today). Since then, we’ve seen a lot of amazing synth creators out there, such as Dave Smith, for instance. So I’d like to review the Moog Sub 37, a newer version of the analog synth that put synthesizers on the map for mainstream music back in the 1970s. Robert Moog took this idea and transformed it into a more practical level, and while you can still get theremins today, the synthesizer has become vastly more popular, and a lot of people attribute that to Moog’s work. Theremins are devices that detect the motion of your hand and correspond with a frequency. Robert Moog, the namesake of the Moog synthesizers, actually started when he was a student in the 1960s. What they might not know is that the story actually begins nearly fifty years ago. What they’re familiar with is possibly the fattest, warmest analog synth sound on the market available today. It’s probably because they’re thinking of the legendary Moog synthesizers. When pro audio musicians hear the term “ analog synthesizer,” they might get a little grin on their face.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |